BLUES GO PINK


Many have asked for information on the "Blues Go Pink” show this year. And 'yes,' it usually was about this time of year. We moved it to November 7th at Cefalo’s in Carnegie. This is a Sunday free of a Steeler game, so we hope you all come. This year will feature a bit different line-up and format. For the better, I guarantee!

First, I want to thank all the wonderful women of the Blues who happily accepted the invitation to play. Every single woman I asked said yes.  I did not get through my list, so my apologies to the women on the list I did not get to contact. I will get to you next year first.
We will open with a band that is playing with us at Cefalo's for the first time, "The Rozanne Matthews Band."  Patti Spadaro, who helps a great deal with organizing the equipment, will then follow with her band. Later, she will have two singers, Katie Simone and Angelica Pietranton, join her and her band. Jill Simmons and theCAUSE will then follow and will have several artists join them including Patti Spadaro, Andrea Pearl and Marcy Brown. I do not know if you have ever seen these ladies sing together, but you will never forget it. They sound great and you can tell that they are loving every minute up there together. Added to theCAUSE line-up will be Cherylann Hawk, who is bringing a guest to sing a tune with her. Next, Pamela Bick and the Warehouse Blues Band, led by Pamela's versatile vocals and dual guitars from John Delo and Denny Turocy, is another band that sounds better every time you hear them.  Taking to the stage next is the band that got me into the local blues scene, "Jill West and Blues Attack.” The band has changed some over the years, but the talent always seems to increase. Greg Krupa won "Best Guitarist" at the IBCs this year amid some very talented competition. A woman with a powerful and at times sexy voice who had the most talked about song, "Short Chain," on
Blues from the Burgh II, Angel Blue and the Prophets will then follow in the lineup. She promised me that she would do some Janis Joplin ...and can she do Janis!  Miss Freddye and Blue Faze then follows. This band sounds more professional every time they play. You are always in for a treat when Miss Freddye comes to town. Joining her later will be a very special treat, Ann Kerstetter, 'the Duchess of Duke St.' Ann is a national act that will be coming to town to entertain us, and I can't wait!  Really, I can't wait for the whole show! See you there. 
~Don Vecchio

~This is a benefit to assist Adagio Health to provide free cancer and cervical screenings for women in Western Pennsylvania. 


2010 PITTSBURGH BLUES FEST


As always, when it comes to outdoor events, the weather is a major factor. Checking the weather forecast, there were to be severe thunderstorms Friday and throughout the day Saturday. Sunday was to be clear and sunny. Friday was clear and it did not rain Saturday until half-way through the final act - Eric Burdon and the Animals. Sunday, it rained prior to the gates opening and was clear the rest of the day. It seems a shame that weather forecasters make such good money and are only correct 50 % of the time. 
Well, I digress. As for the rest of the weekend, the Iguanas played a nice set of Creole style music, followed by Chubby Carrier, had the Hartwood Acres crowd dancing the night away.

The weekend of music was opened by the CAPA students. They had who impressed everyone that I talked to ( I got there too late) and were followed by Miss Freddye and Blue Faze, who have become one of the most entertaining regional bands in Pennsylvania and features talented musicians and Miss Freddye's incredible voice and stage presence. Sweaty Betty opened the second day with guest guitarist, Max Schang. It was a great way to start the day.  There was a lot of energy and they seemed to be having a lot of fun.

Day two was outrageously hot with 90 degree weather. Soon, the stage would be just as hot. We heard music we were unfamiliar with. Jim Hamel went to see who was playing. He came back and told us... "All that music is coming from a trio."  I had to go look. Moondog was next to us. I asked who it was burning up the stage. His answer, "Sonny Moorman." I hope to see them again soon. This guy plays some mean guitar and great original tunes. They were the most enjoyable surprise of the festival. Norm Nardini led the Pittsburgh Blues All Stars and kept the day going in the right direction. One of these days I'm going to see Norm with a scowl on his face and remaining completely silent during a performance. OK- maybe not.  The rest of Saturday featured Nick Curran, the duet of Peter Karp and Sue Foley and Eric Burdon's shortened set. The day started strong but ended soggy and depressing.
We had to hope for a great third day. They were NOW calling for thunderstorms off and on all day. It was raining as we arrived. We went there half-expecting to tear down our booth and call it a day. Miraculously, as we headed to the booth, the rain subsided. It stayed sunny the rest of the day!  We were ready to enjoy some tunes!  Mahajibee opened the final day and sounded quite good! They sounded smooth and looked comfortable on the big stage. TheCause was next. Yes, that's how they spell it- do not correct me. Jill Simmons sounded and looked great with her band. It was a departure from the blues for the most part, but a lot of fun to listen to. The audience seemed to agree, as they danced in the sun to Grateful Dead tunes and some other tunes. Jill was fresh from her appearance at PNC Park singing the national anthem. 
We were now going to see the Blues Society IBC winners for this year, Ron Yarosz and the Vehicle. Many were seeing them for the first time. The audience cheered and shouted at the band with the great original sound. Ron played the harp in his own style and also played the B3 organ on some tunes.  I had people from other areas tell us that we had a wonderful winner this year and wished us both luck in Memphis. Ron signed autographs for well over 30 minutes.

Next, was an all-time favorite of mine, Tinsley Ellis. I have seen him many times and he always performs well. A rugged voice, great guitar licks, a drummer who plays like Animal from the Muppets (according to Robb Patterson), and a bass player named "The Evil One." How can you lose? ... Loved Tinsley and band once again.  Larry McCray was next and played a nice set. I did not get to hear much, but he sounded good from what I heard.

Then came Kenny! Kenny Wayne Shepherd was on stage with Noah Hunt. They roamed the stage like they owned it. Opening with "Somehow, Somewhere, Someway." You could tell right away the show was going to be hot. I've seen Kenny four times before. He never played with so much confidence. He looked so comfortable on stage, like he owned it. He always sounded good, but this time he LOOKED great, as well as sounding great. Noah Hunt played a more substantial role, too. They often strolled the stage as one.

Hope you all had fun there. I did again as I always do. Thanks to the Greater Pittsburgh Food Bank, Moondog , Jim Adler, Eugene Morgan, Bubs McKeg, June Esser and all who helped with the Kids tent, including  Jonnye Weber, our president who gave input and suggestions, and all who helped make the Blues come alive for a  hot weekend in the Burgh.

By the way, the pulled pork sandwich has my vote for the best food item this year ... I put a spare in my pocket to take home.
~ Don Vecchio

PITTSBURGH, July 26, 2010 1ST ANNUAL "GUITARS OVER CANCER" A HUGE SUCCESS


This past January, Mr. Lee, a Pittsburgh concert and radio producer/DJ, said the success of the 1st annual "Guitars Over Cancer" concert, to raise money for cancer charities, would be measured in two ways; the amount of money raised and the quality of the entertainment.  Lee reports that both were accomplished beyond expectations.

Pittsburgh's rock and blues all stars came out in full force on June 13 to honor the late, long-time Pittsburgh guitarist, Warren "Kingfish" King, who died of liver cancer in January. 

Billy Price, Norman Nardini, Shari Richards, Gil Snyder, Bill Toms, Ernie Hawkins, Gary Beloma, Frank Czuri, the Granati Brothers, Kenny Blake, Don Hollowood, Glenn Pavone, James Dougherty, Guitar Zack, Marc Reisman, Craig King, and a host of others brought the house down at Altar Bar in the Strip, and helped raise almost $14,000, to benefit the Mario Lemieux Foundation, Susan G Komen For the Cure and the Pancreatic Cancer Action Network.

"I've listened to, jammed with, and filmed these artists over decades, and I've never heard them play more inspired than they were that night," Lee says.  "They made the gig a grand success.  Everyone connected with the event donated their time and talents.  Norman and Gilbert put together a great 4-hour show."

KDKA's Dave Crawley, a recent cancer survivor himself, was the emcee and introduced musical director, Gil Snyder, and the Mystic Knights to the stage early on, who served as the house band backing up guitarists: Craig King, Don Hollowood, James Dougherty, Randall Troy and local guitar hero Glenn Pavone.  Pavone was in the midst of his own personal battle with cancer.

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Review of Kenny Wayne Shepherd at Pittsburgh Blues Festival - July 25, 2010.


There are 2 things that Pittsburgh Concert goers (and especially Pittsburgh blues fans) love. The first is a female vocalist who can belt out the blues soulful and sassy. The other is the guitar god who can stand cocksure on the stage and bring lightning from the sky with each wailing note that he plays. Well, those who attended the Pittsburgh Blues Festival on its final night got none of the first, but plenty of the last from Kenny Wayne Shepherd and his excellent band.
Kenny and his band, featuring superb vocalist, Noah Hunt, got things off to a roaring start with the bluesy, shuffling, “Somehow, Somewhere, Some Way.” The crowd was on its feet from the first note and stayed that way throughout. Next up was a great rendition of Bob Dylan’s “Everything is Broken” which has become a favorite among Shepherd’s fans. Kenny knew what the Pittsburgh crowd came to hear and he didn’t let them down. He stuck with songs that have been highlights of his career. The sweet ballad, “Last Goodbye,” provided a great showcase for Hunt’s vocal prowess. Kenny and the gang ripped through “Come On” and the crowd was wowed by the sheer power and passion of his playing. Although Shepherd’s style definitely leans more to the blues/rock side of things, songs like: “Shame, Shame, Shame,” “Shotgun Blues,” “Kings Highway” and the soaring instrumental, “Ledbetter Heights” reminded people that this was still indeed a blues festival performance and that this band could play it as well as anyone. Shepherd then closed out his set with the huge hit, “Blue on Black,” that gave the crowd a moment to sing back and show some of the love that they had seen expressing throughout his performance. Although they had been onstage for 90 minutes already, Kenny and the gang were far from done. An absolutely superb encore of “King Bee” and Jimi Hendrix’s “Voodoo Chile (Slight Return)” which included some absolutely stellar moments of showmanship and skill by Shepherd as he worked the stage from end to end wowing the crowd closed out the night.
This may have been the finest headlining performance that I have ever witnessed at a Pittsburgh Blues Festival. Shepherd and Hunt have great stage chemistry together onstage that helps the crowd feel the passion that they put into their music. The other members of the band include a driving rhythm section of bassist, Scott Nelson, and drummer, Chris “Whipper” Layton (formerly of Double Trouble). Keyboardist, Riley Osbourn, had some standout moments during the performance, particularly during the bluesier numbers. The Kenny Wayne Shepherd band absolutely rocked Hartwood Acres and the crowd roared its approval at the close of the night! This was truly one memorable show and let’s hope that Kenny brings his fine band back to our area very soon.
 
~Jim Franciscus

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HERITAGE BLUES FEST - WHEELING, WV


I had been looking forward to this weekend for months and hoping that all would work out with the weather. The Weatherman was being negative:  'possible thunderstorms- some severe ALL 3 DAYS.' Just like with Pittsburgh Blues festival. There were so many acts here that I wanted to see, I hoped for the best... NO rain-outs
please.

We got to Wheeling Friday at 3:00 P.M. They had moved our booth from its usual  spot. Good or bad? ...we'd have to see. We unloaded and went to the McClure Hotel where we learned of more changes. The after-jam was no longer there.  It was moved three blocks away to the River City Inn. That was an inconvenience. Also, they lost their food license and the breakfast was no longer there. Bigger inconvenience. 

We strolled to the Park to set our booth and enjoy some music. Guy Davis opened the show with a nice acoustic set. He played some guitar and harp.  He sounded good on both. It was an excellent way to start the weekend. John Lee Hooker, Jr. followed and then John Hammond, who I would finally get to see and hear. He didn't disappoint. Great choice of tunes and a great skill with his guitar and vocals. Friday concluded with Tab Benoit, who was incredible again. He later came to the After-jam and played both guitar and drums. It was a wonderful way to end the first night. AND no rain! Also at the After-jam led once again by Billy the Kid was Shakura S'aida. Perry Salati played some harp with Tab Benoit and sounded great, as did Jimmy Adler on his guitar. Many people got photos with Tab, and if you look closely at the picture of Tab, Sheila and Diane, you'll notice an odd look on Tab's face.  Both of the ladies' hands are missing behind Tab's back. I can't say where they were for sure but the photo speaks for itself.  
 
Saturday came and was hotttt! ...and so were the bands. Grady Champion, the IBC winner in 2010, opened the second day. Playing some nice harp and spreading his finesse all over the stage and into the audience. He is a natural .It just got better from there. As always there's a surprise band that comes from out of nowhere to blow me away. This year it was Cedric and Malcolm. A duo, but the likes of which I'd never seen. Cedric Burnside, R.L. Burnside's grandson, plays drums as few can. Lightning Malcolm, plays a mean guitar and sings like he's lovin' every second on stage. There was a weather scare at 7:00 PM. Announcements were made that a major storm with strong winds was headed our way. We looked at a weather map and saw ominous red and yellow splotches 10 miles from Wheeling. We closed up the tents, tied off the posts and roamed away. Fifteen minutes later we checked the weather map. The storm had miraculously split! It went right around Wheeling to the north and to the
south, like something out of a cartoon! It was incredible. We got ten minutes of moderate rain and nothing else. A friend told me his sister was ten miles south and had to pull over due to high winds and torrential rain. I'll tell you  later what one person had to say as an explanation.
The festival continued and with the booth closed, we all got to watch the rest of the show. Janiva Magness came out and showed why she won B.B King’s Entertainer of the Year. She had a powerful voice with a talented band. She looked great in her short, black dress and sounded better. The only disappointment came when it was announced that Hubert Sumlin was ill and would not be at the festival. Willie 'Big Eyes' Smith played an extra long set. After an hour, the 98 year old Pinetop Perkins came out and played. Amazing! 

The after-jam that night started with Damon Fowler and Sean Carney playing together! Wow! What a sight and sound to behold. It got better! Later, Bernard Allison came on. What a night! Another problem we had was finding a good place to eat breakfast. Wheeling had become another city to feel the economic crunch. Many places were closed. We had been told to try the Casino. We were heading there to lose a few dollars anyway, so decided to try it. I highly recommend it! I saw about eight of us there and everyone was thrilled with whatever they ordered, and the quantity was there as well as quality.

Sunday featured quite a few acts that I was anxious to see. I went to the stage to watch Anders Osborne up close. He played extremely well. Including a ten minute version of my favorite love song, “Stoned, Drunk and Naked." Next, Super Chikan with his all-girl band, "The Fighting cocks." He told us his drummer was his daughter (that's what his wife told him). He was quite entertaining. "Shoot that Thing" was his cry after each song.  Duke Robillard played his usual professional set, sounding as clean as anyone that I had heard. He was followed by what many thought was the best band of the weekend.  Drums, bass, keyboard and guitar all sounded incredible- the Bernard Allison band. The drum solo was as good as any I had ever heard.  There was some kind of problem with John Mayall and the promoter, but after a delay, John came on to conclude a wonderful weekend of music .

Oh, I told you before that I would explain what someone said about the miracle of the storm splitting around and missing Wheeling. It was Bruce Wheeler, the festival organizer, who said to us, "I think Jim Weber had a hand in it. He talked to God and told him 'they're having a blues festival, can you spare them from the storm?"

I don't know how many of you were at the Pittsburgh Blues Fest in 2009 when Ron 'Moondog' Esser took the microphone on the stage and said in the wake of storms heading for the area..."Jim Weber is smiling down and talking to God making sure we avoid the storms". In both cases-we avoided the storms!

 Thank you, God! Thank you, Jim!  

~Don Vecchio

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OCTOBER 22 - THE PAWNBROWKERS
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Don't Judge a Book by Its Cover

Ringers (Dig)The voice from his website lures you in with his Oklahoma twang laced with Bostonian undertones. Simply said..."I'm Watermelon Slim. This is the place to get up close and personal with the blues.”  A blues fan in Wheeling commented that Watermelon Slim was a rough and disheveled character but musically talented. Hmm! I leaned over and said...."Don't judge a book by its cover. You may just be surprised!" In 2002 after a brush with mortality, Bill Homans a.k.a. Watermelon Slim proclaimed, "Everything I do now has a sharper pleasure to it. I've lived a fuller life than most people could in two. If I go now, I've got an education, I've lived on three continents, I've played music with a bunch of immortal players, I've fought in a war and against a war.  I have seen an awful lot and I've done an awful lot.  If my plane went down tomorrow, I'd go out on top."

The Memphis Flyer once proclaimed: "Does anyone in modern music have a more intriguing bio than Bill "Watermelon slim" Homans.  Greg Johnson of the Cascade Blues Association stated: "First impression, disheveled and eccentric. Then you realize how honest and humble he truly is.  His suit may be oversized, his teeth missing and his face looks worn, but for every line in Bill's face, there is a story to be told. His intelligence is baffling.  He is as complete a showman as there is...his music is utterly authentic.  As to his overwhelming flurry of success since his award winning CDs and award winning performances at the Blues awards since his illness, Homans added, "I have had the Hollywood ending to a life that really had nothing to do with Hollywood at all." He added in that interview that it is his 'quest to see, learn and to do as much as he can before the final bell rings.'

Born in Boston and having attended boarding school there, his family included a father that was a progressive attorney and ex Freedom Rider and a brother who was a successful banker turned classical musician and composer. Homans was raised in North Carolina listening to a maid singing songs from John Lee Hooker, earned a degree from Oregon University in journalism and history in 1986, a masters in history in 2000 and was a former member of Mensa. For thirty years, his journey led to being: a forklift operator, truck driver, saw miller (lost part of a finger), sold firewood, salesman, collections agent, funeral officiate and briefly dabbled in a life of small crime. Being a Vietnam veteran, he ardently supports veterans issues.  Cory du Browe added, "Despite genteel family roots, college degrees, Mensa, Homans can relate to the notion that a life spent getting up off the canvas after getting knocked down is a life well suited to channeling the blues. Music has only been part of his extended courage otherwise known as life."
Wounded in Vietnam, he taught himself to play upside down, left handed slide on a $5 Balsawood guitar using a triangle pick cut from a rusty coffee can and his Swiss issued Zippo lighter as a slide. He is the only veteran known to have produced a CD during the Vietnam war, Merry Brakes (1973).
Wanting to share the depths and complexity behind Watermelon Slim's facade, I wanted to ask him more.

Jonnye: You released two CDs recently, Escape from the Chicken Coop and Ringers.  Is your transition in music an exploration because you can do it and are able to entertain other passions to keep yourself interested...or is it a departure that is going to continue. Many blues fans are worried. I have read that you were a "late bloomer" in the music world. Your sound (thirty years in the making) is now so distinctive that many blues fans are afraid that they will not get more blues from you.
Watermelon Slim: (thoughtfully and earnestly) It took me a long time to "learn" my own style. (very seriously) I play left handed and backwards on a right handed guitar...like Jimi Hendrix. I had to become master of my own style to have people want to listen to me play.  I am a musician, an artist and an acclaimed artist. Music, itself, is an exploration...it is always a continuing education of sorts style.  Yes, it was an exploration. Yes, it may continue...possibly. Yes, I have five blues records in the works. I heard the blues first and have known and lived the blues throughout my life. I also have a "very fertile musical background." I am a country fan from my growing up in North Carolina. I am a fan of great "music technicians" (Ray Charles, Frank Sinatra, Hank Williams and Hank Williams, Jr.) In the new year, I will have a blues release coming out that is a duet with Super Chikan. He's a real Mississippi bluesman. Those cuts were made in 2007 in Memphis. (We are both retired truck drivers and have a common love of music.) I have had a "large background" and plan to keep filling out more parts of it in the future. I have another that is a live solo album. If all goes well, Watermelon Slim and the Workers will have a new CD out at the end of 2011 or early 2012. There is a DVD release party at Ground Zero on Sept. 17 in Clarksdale, Mississippi and includes work from Charlie Musselwhite, Big George Brock and Jimbo Mathis.
J: During your days in Eugene, Oregon as a student and as a musician, how and who influenced your music. I understand from my talks with Curtis Salgado that it was a wild and interesting time for musicians. It was a "crossroads" for traveling musicians in a very "hip" town. I heard that your roommate and colleague was Henry Vestine from Canned Heat. Could you tell us something about those times?
WS: Curtis is a tremendous vocalist and has an excellent vocal presentation.  Curtis is the most qualified person to speak about the last twenty five years of music. Vocals are/were my number one thing. I sang in the choir at 6 years old and was the lone boy soprano soloist in a major school presentation singing Ave Maria.  (thoughtfully) Oregon was a great time. It was a virtual crossroads with many legendary and star west coast musicians playing...Lloyd Jones, Mark Hummel and Robert Cray. Yes, Henry "Sunflower" Vestine was a legendary part of the party arena. (Chuckling) He had cut down right before I started rooming with him. He died in 1997. We worked together for almost a year. We frequented Old Taylor's Tavern next to the campus in a band named, Church of the Blues.
J:  I heard that you and Bonnie Raitt were involved in some protest movements back in Boston.
WS: (quietly) I don't want to get into politics but I will say that she showed up as a supporting act for the Vietnam Veterans Against the War on July 3, 1972. I was a big fan of Fred McDowell and wanted to send him a letter telling him that. (earnestly) She gave me his address. The letter arrived the day after he died. Bonnie and I went to his grave and sang acappella... a song of his that I have done for over forty years (Keep Your Lamp Trimmed and Burning). Recently, Bonnie and I also witnessed the unveiling of Fred McDowell blues trail marker. Bonnie and I will be forever linked as disciples of the Fred McDowell style of playing.
J: How's your golf game. I was the one who wanted to drive your golf cart in Tunica right before the blues awards.
WS: (chuckling) I'll being doing more of that at the end of the tour season in November...it will still be warm here. Music is not all that I do. I have agricultural activities to do.
J: I first met you several years ago at the Tampa Bay Blues Festival. I was amazed that you politely let the security know that you were going out into the crowd and just have some ice cream. I love the fact that you are always among the people.
WS: The key to "me" is that I am accessible. I'm a journey man. I enjoy people and am empowered by people through the music.  I end all of my concerts with...'God Bless ya'all.'  Thank you. (emphatically) Those two words are the most important words that I use throughout the world in my travels. I always add..."Thanks for letting us share with you."

Thanks Bill Homans, aka Watermelon Slim, for sharing with us.

~Jonnye Weber

After note: The young guitar player that now has your black high top tennis shoes from the blues cruise charity auction was thrilled with your unique donation!

GLENN PAVONE


It is always a tough thing when a music community loses one of its own. But when the Pittsburgh music community lost guitarist Glenn Pavone in August, it lost a lot more than just the man who was considered the best guitarist in town. It lost a good man.

Every story written about Glenn, including several written during his bout with cancer in 2008-2009, always included testimony to the fact that he was simply a great guy – a quiet, unassuming man with a special talent for making music that spoke volumes to friends and strangers alike.

For example, there’s a tribute page on Facebook that’s filled with praise from more than 200 friends and fans. Here’s just one thought that caught my eye: “Your music was the soundtrack for my courtship with my husband. Such a great gift in such a humble vessel.”  And you can go to Legacy.com on the web and find even more kind words for Glenn, both as a musician and as a man.

Not that you needed a newspaper story to tell you that. Anyone who knew Glenn would gladly tell you the same thing. But it’s still amazing to sort through the articles and quotes and feel the love and respect that pour off the pages. He battled his cancer valiantly and with considerable grace, and by all accounts, summoned enough strength to make beautiful music while he was very ill.

Glenn’s Pittsburgh story began when he came to town from Virginia in 1982 to join Billy Price and the Keystone Rhythm Band. He played there for eight years before leaving the KRB to form his own band, the Cyclones. He immediately established himself at the top of the list of guitar-men in the region, and helped push the KRB even farther into best-band territory in those days. And Glenn’s talents pushed the Cyclones into that rare atmosphere of fine Burgh bands.

Glenn came recommended by Jimmy Thackery, then of the Nighthawks – the same Nighthawks who later wanted to recruit Glenn for themselves, but he would not leave Pittsburgh for possible national acclaim.  And it wasn’t enough that he found respect here for his work – Glenn also found his wife, Nancy, after she showed up at a KRB show with a friend who was there to check out the new guitar player in the band.

I was going to ask a lot of people about Glenn for this article, and gather a lot of quotes to make the obvious points about his talents for music and life. One of the first I asked was Billy Price, who brought Glenn into town and worked closely with him for years. Once I got Billy’s reply, I decided that his thoughtful and personal reminiscence was really all that was needed to pay tribute to Glenn and his multiple gifts.
“Sometime around 1981 or 1982, Keith Grimes, my guitar player at the time in Billy Price and the Keystone Rhythm Band, decided to move back to his home in Maryland near Washington, DC and leave the band. We held a lot of auditions for a replacement, and we never really found anyone who would obviously be able to fill the position. At the time that Glenn auditioned, we had decided to hire a guy from Pittsburgh, a versatile and skillful guitar player, but we weren't really sold on him. Still, Keith was anxious to move back to Maryland, his patience was running out, we had grown tired of the search, and we were ready to get started working with our new guitar player.

“In the meantime, though, Jimmy Thackery of the Nighthawks had sent another recommendation our way, a guy who had played in the Bill Blue Band from Richmond named Glenn Pavone. What we had heard about him was that he was a good guitar player, but also that he was young and wild and potentially unreliable. So we were a little lukewarm on the audition, which took place at Desperado's on M Street in Washington, DC; more than anything, we were doing the audition as a favor and courtesy to Jimmy. We fully expected that we would say, "Thank you very much," and move ahead with hiring the other guy.

“We were unprepared for what happened that night. Glenn plugged in, and in a matter of seconds--literally--there was no question that he could be our new guitar player if he wanted to be. It was the first of many times that I experienced that sense of awe at his natural talent that so many of us felt just about every time we heard him play. We did persuade Glenn to move to Pittsburgh and join the band, and between 1982 and 1990, I had the privilege to bear witness to his extraordinary gift firsthand. They were great years for that band.

“People who have been reminiscing about Glenn over the past month have talked, of course, about his amazing talent and facility on the guitar, and about what a sweet, gentle, kind, and humble guy he was--all true. But the one thing about Glenn that I do not hear too many people talk about and that may have been the most unique thing about him was his irrepressible enthusiasm and exuberance for so many things in life: playing guitar, sure; but also golf, baseball, fishing...I could go on and on. And he approached everything with the same focused energy that he applied to playing guitar. ~Jim White

“There was simply nothing that he didn't think he could do, and most of the time, I believed him. I remember a couple of weeks, for example, in which he was seriously considering trying out for the Pirates or some other major league team, absolutely convinced that he could make it to the big leagues if he dedicated himself to it. This kind of thing could make Glenn exasperating to a bandleader with a file cabinet full of contracts and calendar full of commitments. You could never be sure what he was going to do next. But the non-bandleader part of me -- which I'd like to think, is the better part--never stopped admiring and yes, envying the little boy in Glenn who always went where his heart led him, regardless of the risks or consequences.

“It is still hard for me to believe that anything ever could have stopped him. He never became as famous as many other lesser guitar players, but being famous was pretty low on the list of things that he cared about. Regardless of what the rest of the world knows or doesn't know, though, I know that I had the opportunity to work with one of the most uniquely talented musicians ever during the years when I sang with Glenn. And, maybe more importantly, I got to know and love an extraordinary guy during the years when I knew him.”

BLUES TRIVIA


by Cary Wolfson

Even though no blues recordings had yet been made, the year 1915 was a huge one for the blues. No fewer than eight substantial modern bluesmen were born that year.  Can you name them?

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FRIDAY OCTOBER 22 - STRANGE BREW
SATURDAY OCTOBER 23 - THE MYSTIC KNIGHTS

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Who is Mikey Jr.?????


When the oldest continuously running blues society in the world says you’re the “real deal”, that has to mean something. When blues forums toss your name around with the likes of harmonica masters like Little Walter and Sonny Boy...that has to mean something. Of course, there will always be skeptics; but to the blues fans of the northeast United States, there is no doubt that at just 26 years old, Mikey Jr. is chasing the masters at a pace that’s frightening. 
 

Growing up on the tough streets of Trenton, New Jersey, Mikey Jr. is a self-taught prodigy. With his impressive collection of vintage tapes, cds and videos, Mikey spent the better part of his youth immersing himself in the world of blues music. By the time he was twenty-one, he was already a road-tested player, making even ardent blues purists, take notice.
Since that time, Mikey Jr. has released an impressive four CDs as well as a documentary DVD. He’s been praised by blues societies as well as players for his original take on “old school” styles and his latest release, “Look Inside My Pocket” is being hailed as a watershed effort by the blues community. Mikey Jr. never set out to re-write the pages of blues history, but through his true love of the music and his undying dedication to the masters that came before him, it seems all but certain that Mikey Jr. will scribe his name in the annals of blues history - right alongside the very masters that influence his every performance.  www.mikeyjunior.com
“Mikey is the real deal” Bob Settelen, Vice President of the Bucks County Blues Society

NEW YEAR'S EVE BLUES BASH

NOVEMBER 7 - THE BLUES GO PINK

ANN KERSTETTER - The Duke Street Diary


Ann Kerstetter (the Duchess of Duke Street)  is known for her emotional live performances. She knocked 'em dead at the IBC’s. That doesn't mean she can't make a hot CD; in fact she has two of them. Her second CD, "Duke St.

Diary," has quite a variety of tunes. There are three or four that just knock me out and many more that I truly enjoy. My favorite is "All Day and All Night Long." It had my feet tapping and my buns bouncing. The only problem... I
was driving at the time.  I also like her version of an E.G Kight song, "If You Ever Touch Me," a steamy tune. She briefly tells her story in "Duke Street down to Memphis” Well, it's not that brief. It's eleven minutes long. It's a good tune with a slow driving beat. She also shows her other side...that of a Spanish teacher in "No Mi Toques Asi." This song can be caught on YouTube and got good reviews. She shows her versatility by also doing a romantic blues ballad, "When Your Smile Warms Me Like the Sun,"(love that title) and a bouncy "Messin down in Texas." Don't just take my word on it , this CD was a semi-finalist for best self-produced CD at 2010 IBCs. Here's more good news about Ann! She's coming to do our "Blues Go Pink" show November 7th at Cefalos! We all will get to see her, many of us for the first time. So pick up this CD or her first, "Classics."

 Brett Fleming from WEVL in Memphis said, "Ann's vocals had the crowds at the IBCs hooked...don't miss an opportunity to see her in your town." No problem, I won't! ~Don Vecchio
....Catch Ann at the Blues Goes Pink Benefit on November 7, 2010 at Cefalo's in Carnegie!